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Primeval Geographies  PAST EXHIBITIONS:
| dec. 7, 2012 - jan. 19, 2013 | | Havana: Piercing the Darkness | | dec. 7, 2012 - jan. 19, 2013 | | Bestiary | | nov. 2, 2012 - dec. 1, 2012 | | Admittance to Arcadia | | nov. 2, 2012 - dec. 1, 2012 | | A Year in Mountains | | nov. 2, 2012 - dec. 1, 2012 | | Traces | | oct. 5, 2012 - oct. 27, 2012 | | Carrier Pigeon: Artist Driven 2 | | oct. 5, 2012 - oct. 27, 2012 | | When All Is Said and Done | | aug. 17, 2012 - sep. 29, 2012 | | Valera Iskhakov: Scent of a Woman II | | jul. 6, 2012 - aug. 13, 2012 | | Made in Princeton | | jun. 30, 2012 - jul. 1, 2012 | | Welcoming Magic Gardeners | | jun. 1, 2012 - jun. 23, 2012 | | Primitive Level Signals | | apr. 20, 2012 - may. 26, 2012 | | Bodies and Movements | | mar. 2, 2012 - apr. 14, 2012 | | Continuum | | jan. 21, 2012 - feb. 25, 2012 | | Lunar Arrangements | | dec. 2, 2011 - jan. 14, 2012 | | Color on the Edge | | dec. 2, 2011 - jan. 14, 2012 | | Life Colored In | | oct. 21, 2011 - nov. 26, 2011 | | Between Figuration and Abstraction | | oct. 21, 2011 - nov. 26, 2011 | | Go Live Your Own Life | | sep. 2, 2011 - oct. 15, 2011 | | Still Life | | sep. 2, 2011 - oct. 15, 2011 | | The Spiral | | jul. 1, 2011 - jul. 30, 2011 | | Urban Ingredients | | jun. 3, 2011 - jun. 25, 2011 | | Autofiction | | may. 6, 2011 - may. 28, 2011 | | Gatekeepers of the Cycle | | may. 6, 2011 - jun. 25, 2011 | | The Orchestra of the Damned | | apr. 1, 2011 - apr. 30, 2011 | | The Secrets of the Wind | | apr. 1, 2011 - apr. 30, 2011 | | Sea of SAMSARA | | apr. 1, 2011 - apr. 30, 2011 | | Primeval Geographies | | mar. 4, 2011 - mar. 26, 2011 | | The Importance of Small Things | | mar. 4, 2011 - mar. 26, 2011 | | Cataleptic Escapade | | jan. 15, 2011 - feb. 26, 2011 | | Refractive Brain Therapy | | dec. 3, 2010 - jan. 8, 2011 | | Retrospectus et Momentum | | nov. 4, 2010 - nov. 28, 2010 | | Discovering Duality | | oct. 1, 2010 - oct. 31, 2010 | | On the Wave of My Memory | | aug. 22, 2010 - sep. 26, 2010 | | Go Figure | | jul. 15, 2010 - aug. 15, 2010 | | Particular Beauty | | jun. 11, 2010 - jul. 11, 2010 | | Material Motion | | apr. 30, 2010 - jun. 6, 2010 | | Fabricating Truths, Shaping Stories | | mar. 30, 2010 - apr. 26, 2010 | | The Travel Show | | mar. 30, 2010 - apr. 26, 2010 | | Birth of Shape | | mar. 5, 2010 - mar. 28, 2010 | | Island Cuba | | jan. 23, 2010 - feb. 26, 2010 | | In Between | | dec. 4, 2009 - jan. 15, 2010 | | Once Upon a Time... | | nov. 6, 2009 - nov. 29, 2009 | | Leaving Eden | | oct. 2, 2009 - oct. 30, 2009 | | The Circle | | sep. 1, 2009 - sep. 27, 2009 | | Metamorphoses | | aug. 5, 2009 - aug. 24, 2009 | | Valera Iskhakov, New Works | | jun. 5, 2009 - jul. 31, 2009 | | Scent of a Woman |
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apr. 1, 2011 - apr. 30, 2011 Irena KononovaDalet Gallery presents this solo exhibit of Irena Kononva as a part of a project called CONTEMPLATIVE REALMS. These pictorial excavations intend to peel layers of superimposed earth histories as well as layers of our mind and soul. The geological layers of soil that are often depicted in the paintings correspond to multiple layers of paint. Fluid element is omnipresent, as it would be in aquatic primordial nature, but it also hints at the fluidity of our imagination and thinking process. The vast landscapes are void of figures although human presence is manifested by subtle signs. The paintings are filled with biomorphic shapes that blur the boundaries between organic flesh and crystalline mass, merging life with dead matter, making viewers guess if what is depicted is a mountain or an animal. It is fitting that sand - a product of long interaction between stones and water - is one of the physical components of these works. These paintings map out utopian lands, but more than anything else they are maps of our unconscious. |