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Continuum  PAST EXHIBITIONS:
| dec. 7, 2012 - jan. 19, 2013 | | Havana: Piercing the Darkness | | dec. 7, 2012 - jan. 19, 2013 | | Bestiary | | nov. 2, 2012 - dec. 1, 2012 | | Admittance to Arcadia | | nov. 2, 2012 - dec. 1, 2012 | | A Year in Mountains | | nov. 2, 2012 - dec. 1, 2012 | | Traces | | oct. 5, 2012 - oct. 27, 2012 | | Carrier Pigeon: Artist Driven 2 | | oct. 5, 2012 - oct. 27, 2012 | | When All Is Said and Done | | aug. 17, 2012 - sep. 29, 2012 | | Valera Iskhakov: Scent of a Woman II | | jul. 6, 2012 - aug. 13, 2012 | | Made in Princeton | | jun. 30, 2012 - jul. 1, 2012 | | Welcoming Magic Gardeners | | jun. 1, 2012 - jun. 23, 2012 | | Primitive Level Signals | | apr. 20, 2012 - may. 26, 2012 | | Bodies and Movements | | mar. 2, 2012 - apr. 14, 2012 | | Continuum | | jan. 21, 2012 - feb. 25, 2012 | | Lunar Arrangements | | dec. 2, 2011 - jan. 14, 2012 | | Color on the Edge | | dec. 2, 2011 - jan. 14, 2012 | | Life Colored In | | oct. 21, 2011 - nov. 26, 2011 | | Between Figuration and Abstraction | | oct. 21, 2011 - nov. 26, 2011 | | Go Live Your Own Life | | sep. 2, 2011 - oct. 15, 2011 | | Still Life | | sep. 2, 2011 - oct. 15, 2011 | | The Spiral | | jul. 1, 2011 - jul. 30, 2011 | | Urban Ingredients | | jun. 3, 2011 - jun. 25, 2011 | | Autofiction | | may. 6, 2011 - may. 28, 2011 | | Gatekeepers of the Cycle | | may. 6, 2011 - jun. 25, 2011 | | The Orchestra of the Damned | | apr. 1, 2011 - apr. 30, 2011 | | The Secrets of the Wind | | apr. 1, 2011 - apr. 30, 2011 | | Sea of SAMSARA | | apr. 1, 2011 - apr. 30, 2011 | | Primeval Geographies | | mar. 4, 2011 - mar. 26, 2011 | | The Importance of Small Things | | mar. 4, 2011 - mar. 26, 2011 | | Cataleptic Escapade | | jan. 15, 2011 - feb. 26, 2011 | | Refractive Brain Therapy | | dec. 3, 2010 - jan. 8, 2011 | | Retrospectus et Momentum | | nov. 4, 2010 - nov. 28, 2010 | | Discovering Duality | | oct. 1, 2010 - oct. 31, 2010 | | On the Wave of My Memory | | aug. 22, 2010 - sep. 26, 2010 | | Go Figure | | jul. 15, 2010 - aug. 15, 2010 | | Particular Beauty | | jun. 11, 2010 - jul. 11, 2010 | | Material Motion | | apr. 30, 2010 - jun. 6, 2010 | | Fabricating Truths, Shaping Stories | | mar. 30, 2010 - apr. 26, 2010 | | The Travel Show | | mar. 30, 2010 - apr. 26, 2010 | | Birth of Shape | | mar. 5, 2010 - mar. 28, 2010 | | Island Cuba | | jan. 23, 2010 - feb. 26, 2010 | | In Between | | dec. 4, 2009 - jan. 15, 2010 | | Once Upon a Time... | | nov. 6, 2009 - nov. 29, 2009 | | Leaving Eden | | oct. 2, 2009 - oct. 30, 2009 | | The Circle | | sep. 1, 2009 - sep. 27, 2009 | | Metamorphoses | | aug. 5, 2009 - aug. 24, 2009 | | Valera Iskhakov, New Works | | jun. 5, 2009 - jul. 31, 2009 | | Scent of a Woman |
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mar. 2, 2012 - apr. 14, 2012 Ellen PeckhamPoet What lament is this old trout Braying at the moon? What secrets does the snail whisper? What secrets does the cat keep? Her face is veined as the spider's web. Her body driftwood and scales. For whom is the bouquet Of fish heads and roses? Euphoria rides at rest. Singing, she swallows the night.
Way, way back, when I was young, in the age of specialization, we were taught that the artist should concentrate on one medium: oil, sculpture, pastel, etc. and certainly should not presume to communicate in more than one voice. I remember being fascinated by Van Gogh's letters, Blake's prints with his poetry and philosophy and the work of other multi-faceted geniuses. But, listening to my masters, I accounted these flukes beyond the normal range of living mortals, certainly of a female. So when, little by little, I became aware of the duality of expression by artists of both genders I broke from my cultural limits. - Ellen Peckham |
